Mourning Becomes Electra
From Wikinfo
Mourning Becomes Electra is the title for a trilogy of plays by Eugene O'Neill, first performed in 1931. It updates the Greek myth of Orestes to the family of a Northern general in the American Civil War. Agamemnon is now General Ezra Mannon, Clytemnestra is his second wife Christine, Orestes is his son Orin, and Electra is his daughter Lavinia. As an updated Greek tragedy, the play features murder, adultery, incestuous love, and revenge, and even a group of townspeople who function as a kind of Greek chorus. Though fate alone guides characters' actions in Greek tragedies, O'Neill's characters have motivations grounded in 1930s-era psychological theory as well. The play can easily be read from a Freudian perspective, paying attention to various characters' Oedipus complexes and Electra complexes.
Mourning Becomes Electra is divided into three plays of four to five acts each. In order, the three plays are titled Homecoming, The Hunted, and The Haunted. However, these plays are never produced individually, but only as part of the larger trilogy. Mourning Becomes Electra is thus extraordinarily lengthy for a drama, and in production is often cut down. Also, because of the large cast size, it is not performed as often as some of O'Neill's other major plays.
In 1947, the play was made into a movie starring Rosalind Russell, Michael Redgrave, Raymond Massey, Katina Paxinou, Leo Genn and Kirk Douglas. It was adapted and directed by Dudley Nichols.
The movie was nominated for Academy Awards for Best Actor in a Leading Role (Michael Redgrave) and Best Actress in a Leading Role (Rosalind Russell).
External links
References
- Adapted from the Wikipedia article, "Mourning_Becomes_Electra" http://en.wikipedia.org/wiki/Mourning_Becomes_Electra, used under the GNU Free Documentation License
